Singing with Ancient Women’s Voices

Sometimes the spirit of women ancestors is as close as the songs our grandmothers taught us.  Last night I went to a performance of traditional Balkan music, including a women’s a capella choral group.  The group offered songs sung for centuries by Bulgarian women  in the towns and villages as they worked, celebrated marriages, accompanied dances and went about their daily lives. 

The music is both enlivening and haunting, evoking images of life from centuries ago through music that seems, at times, otherworldly because of its use of a “drone” (where some women sing a steady undertone, like a bagpipe), its sometimes dissonant harmonies, and its unusual rhythms and scales.  Even the vocal technique is unusual to our ears, but perfectly suited for being heard miles away, across mountains or farms.  Whatever the musical theory behind it, to hear twenty women singing loudly and joyfully in complex and magnificent harmony is a spiritual  experience.  To know that women are coming together again to bring this music of extraordinary ordinary women to us is empowering and hopeful.

This music has undergone somewhat of a renaissance in recent years and a number of performing groups have sprung up in the US and elsewhere.  They can be seen at folk festivals and concerts like the one I attended and many have CDs available.  One European group is called The Mystery of the Bulgarian Voices.  A US group whose website has some audio clips is Kitka.  For a longer list of US groups, go the Mary Sherhart’s site. 

The culture of that region is extremely ancient, with folk art echoing the symbols and stories of women from millennia ago.  While the music has most likely evolved over the centuries, it is still  is exciting to think that perhaps captured within those harmonies and lyrics are the voices of ancient women telling us about their lives.

                                                                              ~ Carolyn Lee Boyd

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By Carolyn Lee Boyd

Carolyn Lee Boyd has been writing about the sacred in everyday life and the wisdom of being in community for over 40 years. She has published fiction, essays, and poetry about feminism, women’s spirituality, and art in print and online periodicals including Women Artists News, SageWoman, Feminism and Religion, Return to Mago, Matrifocus, The Beltane Papers, We’ Moon, and more. Her work is seasoned by her decades-long human services career in which she got to know the life stories of a diversity of extraordinary “ordinary” women. She would love for you to visit her at her website, www.goddessinateapot.com, where you can read and download some of her previously published work as well as a little music.

1 comment

  1. This resonated with me, mostly because I’ve participated in Balkan folk dancing for years, and have done a little of the singing, too. In a group of people who know these dances well, many of the dancers feel a spiritual connection while doing the dances. There are women’s dances that I’m convinced originated as ritual dances with Goddess content. Maybe I should blog about this sometime…

    I hope you do blog about it — I also tend to believe that some folk dances are descendants of Goddess ritual dancing. Many years ago I took a workshop where we learned folk dances, some of them Greek, that are traditionally very old and are similar to those being done by women together on ancient artifacts and the instructor strongly believed in that connection. It was an amazing and vitalizing experience to do those dances in a large group knowing that women had been doing them together for thousands of years.

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